Юность на экране. Репрезентация молодых людей в кино и на телевидении - Дэвид Бэкингем

Grainge, P. (2003b) ’Colouring the past: Pleasantville and the textuality of media memory’, in P. Grainge (ed.), Memory and Popular Film. Manchester: Manchester University Press.

Griffin, С (1993) Representations of Youth. Cambridge: Polity.

Hajdu, D. (2008) The Ten-Cent Plague: The Great Comic-Book Scare and How it Changed America. New York: Farrar, Strauss & Giroux.

Hall, G. S. (1906) Youth: Its Education, Regimen and Hygiene. New York: Appleton.

Hall, S. (2006) ’Shane Meadows’, www.screenonline.org.uk/people/id/461763/index.html.

Hall, S., and Jefferson, T. (eds) (1976) Resistance through Rituals. London: Hutchinson.

Handyside, F. (2017) Sofia Coppola: A Cinema of Girlhood. London: I. B. Tauris.

Harrod, M. (2010) ’The aesthetics of pastiche in the work of Richard Linklater’, Screen, 51(1): 21-37.

Hebdige, D. (1979) Subculture: The Meaning of Style. London: Methuen.

Higson, A. (2013) ’Nostalgia is not what it used to be: heritage films, nostalgia websites and contemporary consumers’, Consumption, Markets and Culture, 17(2): 120-42.

Hill, J. (1985) ’The British «social problem» film: Violent Playground and Sapphire’, Screen, 26(1): 34-48.

Holland, P. (1992) What is a Child? Popular Images of Childhood. London: Virago.

Hunn, D. (2012) «The dark side of Naomily»: Skins, fan texts and contested genres’, Continuum, 26(1): 89-100.

Isserman, M., and Kazin, M. (2021) America Divided: The Civil War of the 1960s. New York: Oxford University Press.

Jameson, F. (1985) ’Postmodernism and consumer society’, in H. Foster (ed.), Postmodern Culture. London: Pluto Press.

Jenkins, H. (2019) Participatory Culture: Interviews. Cambridge: Polity.

Johnson, B. (2017) ’This is England: authorship, emotion and class telly’, in D. Forrest and B. Johnson (eds), Social Class and Television Drama in Contemporary Britain. London: Palgrave Macmillan.

Johnson, D. T. (2012) Richard Linklater. Urbana: University of Illinois Press.

Kaveney, R. (2006) Teen Dreams: Reading Teen Film and Television from ’Heathers’ to ’Veronica Mars’. London: I. B. Tauris.

Keesey, D. (1998) ’Weir(d) Australia: Picnic at Hanging Rock and The Last Wave’, Lit: Literature Interpretation Theory, 8(3-4): 331-46.

Kennedy, T. (2010) Off with Hollywood’s head: Sofia Coppola as feminine auteur’, Film Criticism, 35(1): 37-59.

Kermode, M. (2016) Review of Everybody Wants Some!! www.youtube.com/watch?v=Va8ykgqV8P8.

Kinder, M. (1989) ’Back to the future in the 80s with fathers and sons, supermen and Рее-Wees, gorillas and toons’, Film Quarterly, 42(4): 2-11.

Koehler, С. (2017) ’Sweet sick teens: Gothic narratives of American adolescent sexuality’, European Journal of American Culture, 36(2): 137-57.

Laurie, A. (2002) ’Heavenly images’, Journal of New Zealand Studies, 1: 131-50.

Lay, S. (2007) ’Good intentions, high hopes and low budgets: contemporary social realist film-making in Britain’, New Cinemas: Journal of Contemporary Film, 5(3): 231-44.

Lebeau, V. (2013) ’«Stick that knife in me»: Shane Meadows’ children’, Journal of British Cinema and Television, 10(4): 878-89.

Lee, С. (2016) Screening Generation X. London: Routledge.

Lesko, N. (2001) Act Your Age! A Cultural Construction of Adolescence. New York: Routledge.

Lewis, J. (1992) The Road to Romance and Ruin: Teen Films and Youth Culture. London: Routledge.

Lury, K. (2001) British Youth Television: Cynicism and Enchantment. Oxford: Oxford University Press.

McDaniel, R. (2002) Pleasantville (Ross, 1988)’, Film and History, 31(1): 85-6 [review].

McDonnell, B. (2007) The physician who assumed his patient’s fever: Peter Jackson’s narrative strategy in Heavenly Creatures’, Studies in Australasian Cinema, 1(2): 161-73.

McGee, M. T., and Robertson, R. J. (1982) The J. D. Films: Juvenile Delinquency in the Movies. Jefferson, NC: McFarland.

Marsh, H. (2010) ’Adaptation of a murder/murder as adaptation: the Parker Hulme case in Angela Carter’s «The Christchurch Murder» and Peter Jackson’s «Heavenly Creatures’», Adaptation, 4(2): 167-79.

Masanet, M.-J. and Buckingham, D. (2015) Advice on life? Online fan forums as a space for peer-to-peer sex and relationships education’, Sex Education, 15(5): 486-99.

Medhurst, A. (1995) ’It sort of happened here: the strange life of the British pop film’, in J. Romney and A. Wootton (eds), Celluloid Jukebox: Popular Music and the Movies since the 1950s. London: British Film Institute.

Mills, P. (2016) The Monkees, Head and the 60s. London: Jawbone Press. Monden, M. (2013) ’Contemplating in a dream-like room: The Virgin Suicides and the aesthetic imagination of girlhood’, Film, Fashion and Consumption, 2(2): 139-58.

Morley, С. (2015) ’Mass hysteria is a powerful group activity’, The Guardian, 29 March, www.theguardian.com/film/2015/mar/29/carol-morley-the-falling-mass-hysteria-is-a-powerful-group-activity. Muncie, J. (2000) ’The Beatles and the spectacle of youth’, in I. Inglis (ed.), The Beatles, Popular Music and Society. New York: St Martin’s Press.

Muncie, J. (2009) Youth and Crime. 3rd edn, London: Sage.

Murphy, R. (2013) ’After laughter comes tears: passion and redemption in This is England ’88’, in M. Fradley, S. Godfrey and M. Williams (eds), Shane Meadows: Critical Essays. Edinburgh: Edinburgh University Press.

Muzzio, D., and Halper, T. (2002) ’Pleasantville? The suburb and its representation in American Movies’, Urban Affairs Review, 37(4): 543-74.

Neaverson, B. (2000) ’Tell me what you see; the influence and impact of the Beatles’ movies’, in I. Inglis (ed.), The Beatles, Popular Music and Society. New York: St. Martin’s Press.

Neibaur, J. (2014) The Elvis Movies. Lanham, MD: Rowman & Littlefield.

Newsinger, J. (2013) ’Structure and agency: Shane Meadows and the new regional production sectors’, in M. Fradley, S. Godfrey and M. Williams (eds), Shane Meadows: Critical Essays. Edinburgh: Edinburgh University Press.

Ofcom (2007) The Future of Children’s Television Programming. London: Ofcom.

O’Neill, M. (2015) ’«We put the media in (anti)social media»: Channel 4’s youth audiences, unofficial archives and the promotion of second-screen viewing’, in L. Geraghty (ed.), Popular Media Cultures: Fans, Audiences and Paratexts. Basingstoke: Palgrave Macmillan.

Osgerby, В. (1998) Youth in Britain since 1945. Oxford: Blackwell.

Patard, R. (2012) ’Skins’ really surreal idealism’, paper presented at the first global conference ’Teenagers and Contemporary Visual Culture’, Mansfield College, Oxford.

Patterson, H. (ed.) (2007a) The Cinema of Terrence Malick: Poetic Visions of America. London: Wallflower.

Patterson, H. (2007b) ’Two characters in search of a direction: motivation and the construction of identity in Badlands’, in H. Patterson (ed.), The Cinema of Terrence Malick: Poetic Visions of America. London: Wallflower.

Pearson, G. (1983) Hooligan: A History of Respectable Fears. London: Macmillan.

Pickering, M., and Keightley, E. (2006) ’The modalities of nostalgia’, Current Sociology, 54(6): 919-41.

Pope, A. (2016)