Оптика документальности. Практики работы с памятью и историей в современном искусстве - Татьяна Леонидовна Миронова

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Иллюстрации

Ил. 1. Эрик Бодлер. Letters to Max. 2014

Ил. 2. Кристиан Болтански. Personnes. Grand Palais. 2010. Фото: Giovanni Sighele, CC BY 2.0

Ил. 3. Деймантас Наркявичюс. The Role of the Lifetime. 2003

Ил. 4. Микаль Ровнер. Living Landscape. Яд Вашем. 2005. Фото: С. Елагин

Ил. 5. Деймантас Наркявичюс. Disappearance of a Tribe. 2005

Ил. 6. Наталья Зинцова. Смотри, товарищ, вот красная звезда. ЦТИ Фабрика. 2017

Ил. 7. Эстер Шалев-Герц. Between Listening and Telling: Last Witnesses, Auschwitz 1945–2005. Paris, France. 2005. https://www.shalev-gerz.net/portfolio/between-listening-and-telling/

Ил. 8. Эстер Шалев-Герц. Does Your Image Reflect Me? 2002. https://www.shalev-gerz.net/portfolio/does-your-image-reflect-me/

Ил. 9. Выставка вещей № 2. Елизавета Спиваковская, Михаил Колчин. 2019. Фото: Н. Базова

Ил. 10. Выставка вещей № 2. Елизавета Спиваковская, Михаил Колчин. 2019. Фото: Н. Базова

Ил. 11. Засушенному – верить. Музей Международного Мемориала. 2018–2019. Лист гербария Воронежского университета, история этого листа-странника и Борис Козо-Полянский. Куратор проекта Надя Пантюлина. Фото: Александра Астахова

Ил. 12. Засушенному – верить. Музей Международного Мемориала. 2018–2019. Типология обвинений. Сценограф Петр Пастернак. Куратор проекта Надя Пантюлина. Фото: Александра Астахова

Ил. 13. Элсворт Келли. Memorial. United States Holocaust Memorial Museum

Ил. 14. Ричард Серра. Gravity. United States Holocaust Memorial Museum

Ил. 15. Материал. Женская память о ГУЛАГе. Музей Международного Мемориала. 2021. Фото: Наталья Смолянская

Ил. 16. Материал. Женская память о ГУЛАГе. Музей Международного Мемориала. 2021.