История и культура индийского храма. Книга I. Рождение храма - Елена Михайловна Андреева
Шрифт:
Интервал:
Закладка:
Shri Shankaracharya Swamigal of Kanchi Kamakoti Peeta.Temple Rituals // Temple India. Vivekananda Kendra Patrika.
Shri Vishnudharmottara (A Text on Ancient Indian Art). Priyabala Shah. The New Order Book Co. Ahmedabad, 1990.
Shulman David.More than Real. A History of the Imagination in South India. Harvard University Press. Cambridge, Massachusetts, London, England, 2012.
Singh, Nagendra Kumar. Divine Prostitution. New Delhi, 1997.
Singh, S. Pratap.Kanyākumari Temple // Heritage of the Tamils Temple Arts. Ed. S. V. Subramanian, G. Rajendran. Madras. International Institute of Tamil Studies. 1985.
Siva Temples of South India. Moorlidhar Mohanlal Saraf Charitable Trust. Calcutta, 1995.
Sivaramamurti C.Indian Sculpture. Allied Publishers. New Delhi, 1961.
–. The Chola Temples. Thanjavur, Gangaikondacholapuram & Darasuram. Archaeological Survey of India, New Delhi, 2004.
Sivaraman E. A.Chidambara Mahatmyam (The Greatness of the Supreme Divine Lord Nataraja). Bharatiya Vidya Bhavan. Bombay, 1993.
Smythies, Adrian Greville.The Architecture and Iconography of the Hindu Temple in Eads, Tennessee. A Thesis Submitted to the Faculty of the University of Alabama and the University of Alabama at Birmingham, in Partial Fulfillment of the Requirements for the Degree of Master of Arts. Birmingham, Alabama, 2006.
Soneji, Davesh.Unfinished Gestures: Devadasis, Memory, and Modernity in South India. The University of Chicago, 2012.
Soundara Rajan, K. V.Karṇāṭa Style, c. A. D. 700–750. Calukyas of Bādāmi: Phase II // Encyclopaedia of Indian Temple Architecture. South India: Upper Drāviḍadēśa. Early Phase (A. D. 500–1075). Ed. by Michael W. Meister. Vol. I, Part 2: Text. American Institute of Indian Studies. University of Pennsylvania Press. New Delhi, 1986.
–. Early Pāṇḍināḍu style, c. A. D. 775–800. Pāṇḍyas of Madurai: Phase I // Encyclopaedia of Indian Temple Architecture. South India: Lower Drāviḍadēśa (200 B. C. – A. D. 1300). Ed. by Michael W. Meister. Vol. I, Part 1: Text. American Institute of Indian Studies. New Delhi, 1999.
Sources of Indian Tradition. 2nd Revised Ed. New York, 1988.
South Indian Temple Inscriptions. Vol. III, Part 1. Government Oriental Series, № CXXXI. Madras, 1955.
Sreeranjini, M.Analysis of the compositions of Sri Muthuswami Dikshitar with special reference to Lord Siva. Submitted to the partial fulfilment of the requirement for the award of the degree of Doctor of Philosophy in Music. Sree Sankaracharya University of Sanskrit, Kalady. 2010. http://hdl.handle.net/10603/136024.
Srinivas, Sistla. The Body as Temple. Erotica from Telugu. Visakhapatnam, Drusya Kala Dipika, 2007.
Srinivas Tulasi.Divine Enterprise: Hindu Priests and Ritual. Change in Neighbourhood Hindu Temples in Bangalore. South Asia: Journal of South Asian Studies, Vol. XXIX, № 3, December 2006.
Srinivasan, Amrit.Reform or Conformity? Temple Prostitution and the Community in the Madras Presidency// Structures of Patriarchy: State Community and Household in Modernizing Asia. Ed. Bina Agarwal. Delhi: Kali for Women, 1988. (pp. 175–198).
Srinivasan K. R.Middle Cōḻanāḍu style, c. A. D. 1000–1078. Cōḻas in Tañcāvūr: Phase II // Encyclopaedia of Indian Temple Architecture. South India: Lower Drāviḍadēśa (200 B. C. – A. D. 1300). Ed. by Michael W. Meister. Vol. I, Part 1: Text. American Institute of Indian Studies. New Delhi, 1999.
Srinivasan K. R.Temple Architecture in South India // Temple India. Vivekananda Kendra Patrika.
Srinivasan, Priya.Sweating Saris: Indian Dance as Transnational Labor. Temple University, Philadelphia, 2012.
Srinivasan P. R. Beginnings of the Traditions of South Indian Temple Architecture. Bulletin of the Madras Government Museum. New Series – General Section, Vol. VII, № 4. Madras, 1959.
Sruti. India’s Premier Magazine for the Performing Arts. The Transfiguration of a Traditional Dance. E – Issue 4, July 2011.
Stein, Burton.The Economic Function of a Medieval South Indian Temple // Journal of Asian Studies, № 19 (1960).
Stein, Burton.The New Cambridge History of India. Vijayanagara. Cambridge University Press, New York, Port Chester, Melbourne, Sydney. 1993.
Sthapati, V. Ganapati. Indian Sculpture and Iconography: Forms and Measurements. Pondicherry. Sri Aurobindo Society, 2002.
Stiehl, Pamyla A.Bharata Natyam: A Dialogical Interrogation of Feminist Voices in Search of the Divine Dance // The Journal of Religion and Theatre, Vol. 3, No. 2, Fall 2004.
Stietencron, H. von. 1) The Advent of Viṣṇuism in Orissa: An Outline of its History according to Archaeological and Epigraphical Sources from the Gupta Period up to 1135 A.D. // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.
–. 2) Early Temples of Jagannātha in Orissa: The Formative Phase // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.
–. 3) The Śaiva Component in the Early Evolution of Jagannātha // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.
–. 4) The Jagannātha Temples in Contemporary Orissa // The Cult of Jagannath and the Regional Tradition of Orissa. Ed. by Anncharlott Eschmann, Hermann Kulke, Gaya Charan Tripathi. Manohar, 1986.
Storm Mary. Head and Heart: Valour and Self-Sacrifice in the Art of India. Routledge. London and New York, 2013.
Subramaniam T. N.A Tamil Colony in Mediaeval China // South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.
Subramanyam, Padma.Dance Notation of Adavus // Kothari, Sunil. Bharata Natyam. With Contributions from Mulk Raj Anand, Rukmini Devi, Padma Subrahmanyam, P. Sambamurthy. Mumbai, Marg Publications, 2000.
–. History, Technique and a Notation for Adavu System in Dance // South Indian Studies. Editor Dr. R. Nagaswamy. Madras. Society for Archaeological, Historical & Epigraphical Research, 1978.
–. Paratam Kalai (Kotpadu). Chennai, Vanathi Pathippakam, 2009. (Tamil Language).
–. Some Pearls from the Fourth Chapter of Abhinavabhāratī (Karaṇas and Aṅgahāras).
Sudhanthiran, A.Velusami. An Unique Image of Somaskandamoorthy in Temple Art // Art and Architecture. The Contributions of the Tamils to Indian Culture. Vol. II. Edited by K. Bhagavathi. International Institute of Tamil Studies. Madras, 1994.
Sundaram J.Land System in Tamilnadu (c. A. D. 800–1200). Bharatiya Kala Prakashan. Delhi, 2009.
Sundararajan, P. T. Saroja. The Spiritual Quest of Āṇṭāḷ // Hindu Spirituality. Postclassical and Modern. Edited by K. R. Sundararajan and Bithika Mukerji. Vol. II. Motilal Banarsidass Publishers. Private Limited. Delhi, 2003.
Ślączka, Anna A.Temple Consecration Rituals in Ancient India. Text and Archaeology. Koninklijke Brill NV, Leiden, 2007.
Śrīmat Kāmikāgamaḥ.Purva Pada (Part One). Translation Dr. S. P. Sabharathnam Sivacharyar. The Himalayan