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The jealous fates would not permit a woman to believe too much in happiness, or to practice what she preached. Early in the previous year a dreadful tragedy had befallen those two lovely children. They had been left in an automobile, and apparently the chauffeur had failed to set the brakes properly. The car had rolled down hill, crashed into a bridge, and plunged into deep water; the children had been taken out dead. The distracted mother had wandered over Europe, hardly knowing what she did; but now her friend "Lohengrin" had taken charge of her, and had purchased a great hotel in the environs of Paris, and Isadora was trying to restore herself to life by teaching other people's children to dance - and incidentally, so Mrs. Emily revealed, by having another child of her own.

VIII

The hotel at Bellevue was a large place with several hundred rooms; a commonplace building, but with lovely gardens sloping to the river, and from the terrace in front of it a view over the whole of Paris. The dining room had been turned into the dancing room, and there were Isadora's blue velvet curtains. Tiers of seats had been built on each side, where the pupils sat while the lessons were given on the floor. The teachers were the older pupils; the school had been going for only a few months, but already they had been able to give a festival at the Trocadйro and rouse an audience to transports of delight.

Isadora Duncan was a not very large woman, with abundant dark brown hair, regular features, a gentle, sad expression, and a figure of loveliness and grace. She had come from California, unknown and without resources, except her genius, and had created an art which held vast audiences spellbound in all the capitals of Europe and America. Even now, expecting a baby in a few days, she would step forward to show her troop of children some gesture; she would make a few simple movements against the background of her blue curtains, and something magical would happen, a spirit would be revealed, an intimation of glory. Even reclining on a couch, making motions with arms and hands, Isadora was noble and inspiring.

The music of a piano sounded and a group of children swung into action, eager, alert, radiating joy. Lanny Budd's whole being leaped with them. It took him back to Hellerau, but it was different, more spontaneous, lacking the basis of drill. In "Dalcroze" there was science; but these children caught a spirit - and Lanny, too, had that spirit; he knew instantly what they were doing. He could hardly keep his seat; for dancing is not something to be watched, it is something to be done.

Afterward they had lunch in the garden, the visitors, the teachers, and the children. "Lohengrin" was pouring out this prodigality, and to Lanny the place seemed a sort of artists' heaven. The children, boys and girls of all ages, wore tunics of bright colors; they lived on vegetarian foods, but it didn't keep them from having bright cheeks and eyes, and hearts full of love for Isadora, and for the beauty they were helping to create. Lanny exclaimed: "Oh, I'd like to come here, Beauty! Do you suppose Isadora would take me?"

"Perhaps she would," said Beauty; and Mrs. Emily said she would ask her, if they meant it. Mrs. Emily had helped Isadora to become known, and the lovely white feet had danced more than once on the lawn under the chestnut trees at Les Forкts.

But suddenly Lanny thought, was he free just then to think about dancing? Didn't he have to stay with Beauty, and watch over her, and try to save poor Marcel from having his happiness ruined? Oh, this accursed sex problem!

Artists came to Bellevue, and sat upon a platform in the center of the hall and made sketches of the dancing children. At Meudon, not far away, was the studio of a famous sculptor, Auguste Rodin; a sturdy son of the people with a great spade beard, broad features, and ponderous form. He was an old man now, becoming feeble, but he could still make wonderful sketches. He sat near Lanny and, when the dancing was over, talked about the loveliness of it, and wished he could have had such models for all his work - models who lived, and moved, and brought harmony before the eyes in a thousand shifting forms. Lanny thought that this old man himself had been able to make marble and bronze live and move; he tried to say it, and the sculptor put his big hand on the boy's head, and told him to come to the studio some day and see the works which had not yet been given to the world.

Driving into Paris, the ladies talked about Rodin, who also was providing evidence about the love life! He was getting into- his dotage, and had fallen prey to an American woman, married to a Frenchman who bore one of the oldest and proudest names in history. "But that doesn't keep them from being bad characters," said Mrs. Emily. She told how this pair had preyed upon the old artist and got him to sign away much of his precious work.

"Oh, dear, oh, dear!" exclaimed Beauty Budd. "What pitiful creatures men are!" She meant it for Harry, of course; but Lanny heard it and agreed. People wished to take love as a source of pleasure, but it seemed to bring them torment. The primrose path had thorns in it, and as time passed these thorns became dry and hard and sharper than a serpent's tooth.

They came into Paris at the hour when the shops and factories were closing, and the streets swarming with people. The crowds did not seem to be hurrying as usual; they would form groups and stand talking together. The newsboys were shouting everywhere, and the headlines on the papers were big enough so that motorists could read without stopping. La Guerre! was the gist of them all. Austria had that day declared war upon Serbia! And what was Russia going to do? What would Germany do? And France? And England? People stared at one another, unable to grasp the awful thing'that was crashing upon the world.

11

C'est la Guerre

I

BEAUTIFUL flowers bloomed in the garden that was Europe. They spread wide petals to the sunshine, trusting the security of the warm and sheltered place. Over them fluttered butterflies, also of splendid hues and delicate structure, loving the sunlight, floating upon peace and stillness. But suddenly came a tempest, harsh and blind, tearing the fragile wings of the butterflies, hurling them against the branches» of trees or into the sodden ground; ripping the petals off the flowers, stripping the foliage, leaving bare wrecked limbs to mock the lovers of beauty. So it was with Lanny Budd during the next dreadful week, and so with all the persons he knew, and with countless millions of others, from Land's End to Vladivostok, from Archangel to the Cape of Good Hope. It was the worst week in the history of Europe - and there were many more to follow.

Lanny had been expecting his friend Kurt Meissner in Paris; but several days before had come a letter from Kurt, written on a Channel steamer, saying that his father had telegraphed him to return home at once, taking the first boat by way of the Hook of Holland. Kurt had been worried, thinking there must be illness in his family; but now Lanny understood what had happened - Herr Meissner had known what was coming. In London and Paris one heard many stories about Germans who had received such warnings, and had taken measures for their personal safety or their financial advantage. Here and there one had even passed on a discreet "tip" to an American friend.

Lanny and his mother came to Paris, and Robbie showed up there on the morning after Austria declared war. He wouldn't lack advance information, be sure! He said that a salesman of armaments wouldn't have to do any more traveling now; the governments would find him wherever he was. The thing had come which Robbie had said couldn't possibly come; but it didn't take him long to adjust himself to it. "All right, it's what Europe wants, let them have it." Budd's would continue to turn out products, and anybody could buy them who came with the cash. Somebody had been telling Robbie about Shaw's Major Barbara, so now he talked impressively about "the Creed of the Armorer."

It was good to have Robbie at hand in a time like this; self-possessed as ever, a firm rock of counsel, also a checkbook open to friends in trouble. He and Beauty and Lanny settled down to a conference; and presently Harry Murchison came into it - forcing himself in, by taking his problem to Robbie. They had met once before and were on friendly terms, Harry being the sort of fellow that Robbie approved.

"Mr. Budd," said he, "I don't know why you and Beauty parted, and I'm not interested; but I know you're still her friend, and she listens to you, and I wish you'd give her sensible advice. I want to marry her - right now - today - and take her out of this hell that's starting here. She can have a new life in America; I'll do most anything she asks, give her anything she can think of. As for Lanny, I'll take care of him, or you can - I like the boy, and we'll be the best of friends if he'll let me. Surely that's a fair offer!"

Robbie thought it was; and so the whole situation was forced into the open. Lanny talked to his father, not merely about Marcel, but about Baron Livens-Mazursky, and Dr. Bauer-Siemans, and the Hackaburys, and Isadora, and Anatole France, and all the rest; he had to make Robbie understand how he came to know so much about love, and why he was taking it upon himself to keep a French painter from losing his beautiful blond mistress. Robbie didn't have much use for either Frenchmen or painters, but he was very much for Lanny, and couldn't help being tickled by this odd situation, a sensitive, idealistic kid undertaking to make a hero out of his mother's lover - and seeming very likely to get away with it. It was clear that Beauty was still half in love with her painter; the other half in love with the idea of becoming a respectable American lady, wife of a man who could give her security and position. Which would she choose?

II

It was a time for showdowns. In the crash of kingdoms and empires, human blunders and failures shrank to smaller proportions. Beauty took her son into a room apart, and told him a story which so far she had kept from nearly everyone she knew. She couldn't look him in the eyes, and blushed intensely - her throat, her cheeks, her forehead. "Your father and I have never been married, Lanny. The story that we are divorced is one that I made up to protect you and me. I didn't want people to know that you are illegitimate, and make it a handicap to your life."

She rushed on to pour out the details, defending both herself and Robbie. They had met in Paris when they were very young, and they had loved each other truly, and had planned to marry. But Beauty had been an artist's model, and had been painted in the nude. Lanny would understand that, he knew what art was; one of the pictures had been exhibited in a salon, and was much admired. But some malicious person had sent a photograph of it to Robbie's father, the head of an old and proud family of Puritan New England. It had meant only one thing to him, that Beauty was an indecent woman; he was a harsh and domineering man, and was he going to have his son marrying a painter's model, and having her picture in the newspapers naked instead of in the usual bridal costume? That was what he said, and he laid down the law: if Robbie married such a woman his father would disown and disinherit him.

Robbie wanted to do it, even so, but Beauty wouldn't let him; she loved him and wouldn't wreck his life. They had lived together without marriage; the father had consented to ignore his son's mistress, something not so unusual, even for Puritans in New England. It was hard on Lanny, but they hadn't meant for him to happen - Lanny had been an accident, said his mother at the climax of her confusion and blushes.

She had thought she would never have the courage to tell this story to her son; she took it for granted that he would receive it with shame, and perhaps with anger toward her. But Lanny had by now seen so much of lawless love, and heard about so much more, that the distinctions were blurred in his mind. He said it didn't worry him to be illegitimate; it hadn't hurt his health, and it wouldn't hurt his feelings if somebody called him a bastard - he had read about them in Shakespeare and had got the impression that they were a lively lot. What did give him shivers was the idea of having been an "accident." "Where would I have been, and what would I have been, if you and Robbie hadn't had me?"

Tears came into the mother's bright blue eyes; she saw that he was trying to spare her; he was being a darling, as usual. She hastened to explain the situation which now confronted her, the reasons why her decision was so important. If she were to marry Harry Murchison, that would cover all her past and make her a "respectable" woman; it wouldn't make Lanny legitimate, but it would keep anybody from bothering about it - and anyhow Robbie intended to acknowledge him as his son.

Lanny could understand all that; but he said: "What good will it do you to be respectable if you aren't happy?"

"But, Lanny!" she exclaimed. "I mean to be happy with Harry."

"Maybe," said he; "but I don't believe you'll ever forget that you left Marcel without any cause. Suppose he goes and jumps off the Cap?"

"Oh, Lanny, he won't do that!"

"How can you be sure? And then, suppose that France mobilizes? Marcel will have to go to war, won't he?"

Beauty turned pale; that was the horror she couldn't bring herself to face. The boy, seeing that he had the advantage, pushed harder. "Could you bear to leave him if you knew he had gone to fight for his country?" All Beauty could do was to bury her face in her arms and weep. Lanny said: "You better wait and see what happens."

III

They wouldn't have to wait long. Surely nobody could complain of the slowness of events at the end of July 1914! First it was Russia mobilizing one and a quarter million men; then it was the German Kaiser serving an ultimatum to the effect that Russia had to cease mobilizing. Paris buzzed like a beehive at swarming time; for France was Russia's ally and was bound to go to war if Russia was attacked.

Robbie had said that the governments would find him, and they did. By one means or another, word spread that the representative of Budd's was staying at the Hotel Crillon, in a front suite with a pleasant view up the Champs-Йlysйes. Military gentlemen representing most of the governments of Europe came to enjoy that view, and partake of the array of drinks which Robbie had upon the sideboard in his reception room - all going onto the expense account of a munitions salesman. The immaculately uniformed gentlemen came to find out what stocks Budd's had on hand at present - of guns and ammunition, of course, not of whiskies, brandies, and liqueurs.

Robbie would smile suavely, and say that he regretted that Budd's was such a very small plant, and had practically no stocks on hand. "You know how it is, I begged your General So-and-So to place an order last year. I warned you all what was coming."

"Yes, we know," the military gentlemen would reply, sorrowfully. "If the decision* had rested with us, we should have been prepared. But the politicians, the parliaments" - they would shrug their shoulders. "What could we do?"

Robbie knew all about politicians and parliaments; in his country they were called Congress and had steadily refused to vote what the safety of the country required. Now, of course, there would be a quick change, the purse strings would be loosened. The policy of Budd's was fixed; it was "first come, first served" to all the world. The terms in this present crisis would be fifty percent of the purchase price to be placed in escrow with the First National Bank of Newcastle, Connecticut, before the order was accepted; the balance to be placed in escrow a week before the completion of the order, to be paid against bills of lading when shipment was made. Munitions makers had grown suddenly exacting, it appeared. Robbie added confidentially - to everyone - that he had cabled his firm recommending an immediate increase of fifty percent in its entire schedule of prices: this to meet inevitable rises in the cost of materials and labor.