Sharp_Objects - Flynn

“How?” My voice dull as scrap metal.

“It was that kid, James Capisi. I kept coming back to him, that fairy-tale wicked witch of a woman.” Echoes of Beverly, Brothers Grimm. “I still don’t think he actually saw your mother, but I think he remembered something, a feeling or subconscious fear that turned into that person. I started thinking, what kind of woman would kill little girls and steal their teeth? A woman who wanted ultimate control. A woman whose nurturing instinct had gone awry. Both Ann and Natalie had been…tended to before they were killed. Both sets of parents noted uncharacteristic details. Natalie’s fingernails were painted a bright pink. Ann’s legs had been shaved. They both had lipstick applied at some point.”

“What about the teeth?”

“Isn’t a smile a girl’s best weapon?” Richard said. Finally turning to me. “And in the case of the two girls, literally a weapon. Your story about the biting really focused things for me. The killer was a woman who resented strength in females, who saw it as vulgar. She tried to mother the little girls, to dominate them, to turn them into her own vision. When they rejected that, struggled against that, the killer flew into an outrage. The girls had to die. Strangling is the very definition of dominance. Slow-motion murder. I closed my eyes one day in my office after writing down the profile, and I saw your mother’s face. The sudden violence, her closeness with the dead girls—she has no alibi for either night. Beverly Van Lumm’s hunch about Marian adds to it. Although we’ll still have to disinter Marian to see if we can get more solid evidence. Traces of poisoning or something.”

“Leave her be.”

“I can’t, Camille. You know it’s the right thing. We’ll be very respectful of her.” He put his hand on my thigh. Not my hand or my shoulder, but my thigh.

“Was John ever really a suspect?” Hand removed.

“His name was always swirling around. Vickery was kind of obsessed. Figured Natalie was kind of violent, maybe John was, too. Plus he was from out of town, and you know how suspicious out-of-towners are.”

“Do you have any real proof, Richard, about my mother? Or is this all supposition?”

“Tomorrow we’re getting the order to search the place. She’ll have kept the teeth. I’m telling you this as a courtesy. Because I respect and trust you.”

“Right,” I said. Falling lit up on my left knee. “I need to get Amma out of there.”

“Nothing will happen tonight. You need to go home and have a regular evening. Act as naturally as possible. I can get your statement tomorrow, it’ll be a good help to the case.”

“She’s been hurting me and Amma. Drugging us, poisoning us. Something.” I felt nauseous again.

Richard took his hand off my thigh.

“Camille, why didn’t you say something before? We could have had you tested. That’d be a great thing for the case. Goddammit.”

“Thanks for the concern, Richard.”

“Anyone ever tell you you’re overly sensitive, Camille?”

“Not once.”

Gayla was standing at the door, a watchful ghost at our house atop a hill. With a flicker she was gone, and as I pulled up to the carriage porch, the light in the dining room switched on.

Ham. I smelled it before I hit the door. Plus collard greens, corn. They all sat still as actors before curtain. Scene: Suppertime. My mother poised at the head of the table, Alan and Amma to each side, a place set for me at the opposite end. Gayla pulled the chair out for me, whispered back into the kitchen in her nurse’s garb. I was sick of seeing nurses. Beneath the floorboards, the washing machine rumbled on, as ever.

“Hello, darling, nice day?” my mother called too loudly. “Sit down, we’ve been holding dinner for you. Thought we’d have dinner as a family since you’ll be leaving soon.”

“I will?”

“They’re set to arrest your little friend, dear. Don’t tell me I’m better informed than the reporter.” She turned to Alan and Amma and smiled like a congenial hostess passing appetizers. She rang her little bell, and Gayla brought the ham in, gelatin-wobbly, on a silver serving tray. A pineapple slice slid stickily down its side.

“You cut, Adora,” Alan said to my mother’s raised eyebrows.

Wisps of blonde hair fluttered as she carved finger-thick slices, passed them around on our plates. I shook my head at Amma as she proffered me a serving, then sent it on to Alan.

“No ham,” my mother muttered. “Still haven’t grown out of that phase, Camille.”

“The phase of not liking ham? No, I haven’t.”

“Do you think John will be executed?” Amma asked me. “Your John on death row?” My mother had outfitted her in a white sundress with pink ribbons, braided her hair tightly on both sides. Her anger came off her like a stench.

“Missouri has the death penalty, and certainly these are the kind of murders that beg for the death penalty, if anything deserves that,” I said.

“Do we still have an electric chair?” Amma asked.

“No,” Alan said. “Now eat your meat.”

“Lethal injection,” my mother murmured. “Like putting a cat to sleep.”

I pictured my mother strapped to a gurney, exchanging pleasantries with the doctor before the needle plunged in. Suitable, her dying from a poisoned needle.

“Camille, if you could be any fairy-tale person in the world, who would you be?” Amma asked.

“Sleeping Beauty.” To spend a life in dreams, that sounded too lovely.

“I’d be Persephone.”

“I don’t know who that is,” I said. Gayla slapped some collards on my plate, and fresh corn. I made myself eat, a kernel at a time, my gag reflex churning with each chew.

“She’s the Queen of the Dead,” Amma beamed. “She was so beautiful, Hades stole her and took her to the underworld to be his wife. But her mother was so fierce, she forced Hades to give Persephone back. But only for six months each year. So she spends half her life with the dead, and half with the living.”

“Amma, why would such a creature appeal to you?” Alan said. “You can be so ghastly.”

“I feel sorry for Persephone because even when she’s back with the living, people are afraid of her because of where’s she’s been,” Amma said. “And even when she’s with her mother, she’s not really happy, because she knows she’ll have to go back underground.” She grinned at Adora and jabbed a big bite of ham into her mouth, then crowed.

“Gayla, I need sugar!” Amma yelled at the door.

“Use the bell, Amma,” my mother said. She wasn’t eating either.

Gayla came in with a bowl of sugar, sprinkled a big spoonful over Amma’s ham and sliced tomatoes.

“Let me,” Amma whined.

“Let Gayla,” my mother said. “You put too much on.”

“Will you be sad when John’s dead, Camille?” Amma said, sucking on a slice of ham. “Would you be more sad if John died or I did?”

“I don’t want anyone to die,” I said. “I think Wind Gap has had too much death as it is.”

“Hear-hear,” Alan said. Oddly festive.

“Certain people should die. John should die,” Amma continued. “Even if he didn’t kill them, he still should die. He’s ruined now that his sister is dead.”

“By that same logic, I should die, because my sister is dead and I’m ruined,” I said. Chewed another kernel. Amma studied me.

“Maybe. But I like you so I hope not. What do you think?” she turned to Adora. It occurred to me she never addressed her directly, no Mother or Momma, or even Adora. As if Amma didn’t know her name but was trying not to be obvious about it.

“Marian died a long, long time ago, and I think maybe we should have all ended with her,” my mother said wearily. Then suddenly bright: “But we didn’t, and we just keep moving on, don’t we?” Ringing of bell, gathering of plates, Gayla circling the table like a decrepit wolf.

Bowls of blood-orange sorbet for dessert. My mother disappearing discreetly into the pantry and surfacing with two slender crystal vials and her wet pink eyes. My stomach lurched.

“Camille and I will have drinks in my bedroom,” she said to the others, fixing her hair in the sideboard mirror. She was dressed for it, I realized, already in her nightgown. Just as I had as a child when I was summoned to her, I trailed her up the stairs.

And then I was inside her room, where I’d always wanted to be. That massive bed, pillows sprouting off it like barnacles. The full-length mirror embedded in the wall. And the famous ivory floor that made everything glow as if we were in a snowy, moonlit landscape. She tossed the pillows to the floor, pulled back the covers and motioned for me to sit in bed, then got in next to me. All those months after Marian died when she kept to her room and refused me, I wouldn’t have dared to imagine myself curled up in bed with my mother. Now here I was, more than fifteen years too late.

She ran her fingers through my hair and handed me my drink. A sniff: smelled like brown apples. I held it stiffly but didn’t sip.

“When I was a little girl, my mother took me into the North Woods and left me,” Adora said. “She didn’t seem angry or upset. Indifferent. Almost bored. She didn’t explain why. She didn’t say a word to me, in fact. Just told me to get in the car. I was barefoot. When we got there, she took me by the hand and very efficiently pulled me along the trail, then off the trail, then dropped my hand and told me not to follow her. I was eight, just a small thing. My feet were ripped into strips by the time I got home, and she just looked up at me from the evening paper, and went to her room. This room.”

“Why are you telling me this?”

“When a child knows that young that her mother doesn’t care for her, bad things happen.”

“Believe me, I know what that feels like,” I said. Her hands were still running through my hair, one finger toying with my bare circle of scalp.

“I wanted to love you, Camille. But you were so hard. Marian, she was so easy.”

“Enough, Momma,” I said.

“No. Not enough. Let me take care of you, Camille. Just once, need me.”

Let it end. Let it all end.

“Let’s do it then,” I said. I swallowed the drink in a belt, peeled her hands from my head, and willed my voice to be steady.

“I needed you all along, Momma. In a real way. Not a need you created so you could turn it on and off. And I can’t ever forgive you for Marian. She was a baby.”

“She’ll always be my baby,” my mother said.

Chapter Sixteen

I fell asleep without the fan on, woke up with the sheets stuck to me. My own sweat and urine. Teeth chattering and my heartbeat thumping behind my eyeballs. I grabbed the trash can beside my bed and threw up. Hot liquid, with four kernels of corn bobbing on top.

My mother was in my room before I pulled myself back onto the bed. I pictured her sitting in the hall chair, next to the photo of Marian, darning socks while she waited for me to sicken.

“Come on, baby. Into the bathtub with you,” she murmured. She pulled my shirt over my head, my pajama bottoms down. I could see her eyes on my neck, breasts, hips, legs for a sharp blue second.

I vomited again as I got into the tub, my mother holding my hand for balance. More hot liquid down my front and onto the porcelain. Adora snapped a towel from the rack, poured rubbing alcohol into it, wiped me down with the objectivity of a window cleaner. I sat in the bathtub as she poured glasses of cold water over my head to bring the fever down. Fed me two more pills and another glass of milk the color of weak sky. I took it all with the same bitter vengeance that fueled me on two-day benders. I’m not down yet, what else you got? I wanted it to be vicious. I owed Marian that much.

Vomiting into the tub, draining the tub, refilling, draining. Icepacks on my shoulders, between my legs. Heat packs on my forehead, my knees. Tweezers into the wound on my ankle, rubbing alcohol poured after. Water flushing pink. Vanish, vanish, vanish, pleading from my neck.

Adora’s lashes were plucked clean, the left eye dribbling plump tears, her upper lip continually bathed with her tongue. As I was losing consciousness, a thought: I am being cared for. My mother is in a sweat mothering me. Flattering. No one else would do this for me. Marian. I’m jealous of Marian.

I was floating in a half-full bath of lukewarm water when I woke again to screams. Weak and steaming, I pulled myself out of the bath, wrapped a thin cotton robe around me—my mother’s high screams jangling in my ears—and opened the door just as Richard busted in.

“Camille, are you okay?” My mother’s wails, wild and ragged, cutting the air behind him.

Then, his mouth fell open. He tilted my head to one side, looked at the cuts on my neck. Pulled open my robe and flinched.

“Jesus Christ.” A psychic wobbling: He teetered between laughter and fear.

“What’s wrong with my mother?”

“What’s wrong with you? You’re a cutter?”

“I cut words,” I muttered, as if it made a difference.

“Words, I can see that.”

“Why is my mother screaming?” I felt woozy, sat down on the floor, hard.

“Camille, are you sick?”

I nodded. “Did you find something?”

Vickery and several officers tumbled past my room. My mother staggered by a few seconds later, her hands wrapped in her hair, screaming at them to get out, to have respect, to know they’ll be very sorry.

“Not yet. How sick are you?” He felt my forehead, tied my robe shut, refused to look at my face anymore.

I shrugged like a sulking child.

“Everyone has to leave the house, Camille. Put on some clothes and I’ll get you to the doctor’s.”

“Yes, you need your evidence. I hope I have enough poison left in me.”

By evening, the following items were removed from my mother’s panty drawer:

Eight vials of anti-malarial pills with overseas labels, big blue tablets that had been discontinued due to their tendency to induce fever and blurred vision. Traces of the drug were found in my toxicology tests.

Seventy-two tablets of industrial-grade laxative, used primarily for loosening the bowels of farm animals. Traces of which were found in my toxicology tests.

Three dozen anti-seizure tablets, the misuse of which can cause dizziness and nausea. Traces of which were found in my toxicology tests.

Three bottles of ipecac syrup, used to induce vomiting in case of poisoning. Traces of which were found in my toxicology tests.

One hundred and sixty-one horse tranquilizers. Traces of which were found in my toxicology tests.

A nurses’ kit, containing dozens of loose pills, vials, and syringes, none of which Adora had any use for. Any good use for.

From my mother’s hat box, a flowered diary, which would be entered as a court document, containing passages such as the following:

SEPTEMBER 14, 1982I’ve decided today to stop caring for Camille and focus on Marian. Camille has never become a good patient—being sick only makes her angry and spiteful. She doesn’t like me to touch her. I’ve never heard of such a thing. She has Joya’s spite. I hate her. Marian is such a doll when she’s ill, she dotes on me terribly and wants me with her all the time. I love wiping away her tears.